Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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MELeNDEZ, Luis
Still-life with Melon and Pears sg

ID: 08172

MELeNDEZ, Luis Still-life with Melon and Pears sg
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MELeNDEZ, Luis Still-life with Melon and Pears sg


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MELeNDEZ, Luis

Spanish Painter, 1716-1780   Related Paintings of MELeNDEZ, Luis :. | Still Life with Pigeons, Onions, Bread and Kitchen Utensils | Still Life with Oranges and Walnuts ag | Still-Life with a Box of Sweets and Bread Twists | Style life with melon and pears | Still Life with Cucumbers and Tomatoes |
Related Artists:
Robert Hills
British Painter, 1769-1844 English painter and etcher. After taking drawing-lessons from John Alexander Gresse (1740-94), he enrolled at the Royal Academy Schools, London, in 1788. Village and rural scenes, and in particular studies of animals, occupied him throughout his working life; his favourite subjects were cattle, sheep, donkeys, pigs and above all deer, which he stalked for the purpose of sketching. As well as making plein-air drawings, Hills carried out careful anatomical studies of animal bones and joints. Between 1798 and 1815 he issued an extensive series of Etchings of Quadrupeds; the British Museum holds the artist's collection of his own etchings
Joseph Chelmonski
1850-1914
Vincenzo Catena
Italian c1480-1531 Vincenzo Catena Location Italian painter. His paintings represent the perpetuation of the style of Giovanni Bellini into the second quarter of the 16th century. He made few concessions to the modern style that was being introduced to Venice by Titian, Palma Vecchio, Pordenone and others in the same period. This archaicizing tendency was shared by several minor Bellinesque painters of the period, including Pietro degli Ingannati, Pietro Duia, Francesco Bissolo, Vittore Belliniano and the Master of the Incredulity of St Thomas. Catena, together with Marco Basaiti, with whose works Catena are sometimes confused, can be considered the most accomplished of these. Despite the fact that he counted several humanists in his circle, the extant repertory of his subjects is limited to religious themes, mainly Marian and including three altarpieces, and to male portraits. The latter, as Vasari observed, include several of his finest works.






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